Saturday, December 17, 2016
Bulawayo
She is a faded beauty, an old madame who makes her face up every morning, lipstick just that little too bold, that only serves to underline the slightly trembling lip. Potholes full of stagnant rain water, faded road markings, street kids begging at the car window, soggy posters tied to trees and stuck on dustbins, advertising everything from 'bedroom cures' to wealth and prosperity. Beautiful old buildings with long-dead owners' names still adorning them: A.D. Radowski 1910, Haddon and Sly est.1894, once purveyors of fine things now selling cheap wigs and cell phone chargers. Blocks of flats named Victory Place and Luxor House, now strung with ribbons of washing: babies' nappies, men's shirts, a child's school uniform. Hung high above the stinking sanitary lanes and the pavements where people sit and wait . . . and wait and sit, quiet, eyes fixed on nothing. Newspaper hoardings which announce the continual demise of our ancient dictator, that bond notes are here to say, that Arsenal beat Liverpool 2-1. I remember my other life: Late-night Christmas shopping at Meikles, my mum ordering the Christmas ham from the butcher, listening for the time on the City Hall clock. And I wonder whatever happened to the Cat Lady, with her long grey hair and her long brown coat, who fed the strays outside the public toilets. Long gone now, too.
Bryony Rheam. 13 December 2016
Labels:
'amaBooks,
Bryony Rheam,
Bulawayo,
This September Sun,
Zimbabwe
Friday, December 2, 2016
Why I Read by Christopher Mlalazi
I grew up with a natural love of story telling. This goes
way back to my childhood. My father was a gifted storyteller, but not a public
one as his stories were only for his family.
My father had an amazing repertoire of folklore, usually
told around the fire after the evening meal in the late 70s when we lived in
Old Pumula Township. There was no electricity in houses in that township then –
the only electricity was for obvious reasons for the tower lights, the police
station, clinic and housing office. This was during colonial rule.
And so there we would be, sitting around the fire under the
stars, with father entertaining us with his tales. I remember that most of them
had dialogue and song, and he would sing the songs, and then teach us them too
so that when he repeated the tale on other nights, we would sing along with
him.
Sometimes when we had aunts and uncles visiting from the
village, he would ask them to tell us their own tales.
This was the time that my love for stories gestated. When I
grew a bit older, I started hunting for books for more stories. I read
everything I could find, from first staring at pictures in comic books before I
could read and trying to figure out the stories they were trying to tell, to
actually reading books when I had learned how to read at school.
I was always on the hunt for a good story, especially
adventures, as they were a window to far off lands for a kid coming from a poor
township. Yes, I grew up in one of the poorest townships in Bulawayo, but that
does not mean that the people living there were poor in thought, creativity and
ambition.
As I grew older and my reading matured, I started
discovering that stories carried much more than adventure and thrills. Or the
chance to get an erection from a Nick Carter or James Bond novel. That was
before I went to secondary school. I began to learn that behind most stories
there were coded all kinds of social, economic and political commentaries. This
was driven home to me when I started studying literature in high school,
reading books like Things Fall Apart,
Animal Farm, The Mayor Of Casterbridge, Julius
Caesar and the like.
So, in a nutshell, I now read for diverse reasons, to
appreciate world aesthetics, to hear the creaks of the wheel of life, and to
also see and think clearly. Last but not least, sometimes I read to relax – over a copy of Hegel’s Philosophy of Right.
Lol.
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