Bryony Rheam to talk at the 2022 Agatha Christie Festival

 Reproduced from The Standard (https://thestandard.newsday.co.zw/2022/06/26/rheam-to-take-part-on-agatha-christies-trip/)

AWARD-WINNING Bulawayo author Bryony Rheam (pictured) is preparing to give a speech on Agatha Christie’s 1922 trip to Southern Rhodesia, which is part of the Agatha Christie Festival 2022. Rheam, a winner of the international Write Your Own Christie competition, is an enthusiast for the writing of Agatha Christie.  The event will be held on September 15 at the Spanish Barn, Torquay at 12.30, admission is free.

“In September of this year, I will be giving a talk on Agatha Christie’s 1922 trip to Southern Rhodesia,” Rheam told Standard Style. “Earlier this year, I was contacted by a South African writer, Michael Sears, who, together with his co-author, Stanley Trollip, had been invited to give a talk on Agatha Christie’s trip to South Africa (as part of the same trip).“As he knew, I had written on Agatha Christie’s trip to Rhodesia, Sears asked me if I would like to join them in the talk.”

She said not many people know that Agatha Christie came to Rhodesia and many people just lump Rhodesia/Zimbabwe with South Africa.“I am really excited to be shedding light on this part of her journey and making people aware of the fact that Rhodesia/Zimbabwe and South Africa are two different countries,” Rheam said.

Zimbabwe cover

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“My interest in Agatha Christie began when I was a child. “My grandmother loved reading her books and I would go to the library for her to change her books so I knew all the covers and the titles. We used to watch all the series and films as a family and so they were very much a part of my life growing up. I was excited to discover that one of her lesser-known books, The Man in the Brown Suit, was partly set in Southern Rhodesia, mostly in Bulawayo and Victoria Falls.”

UK cover

Rheam added: “I then set out to investigate her journey and see if I could find any evidence that she had been here.  I wrote about this in my blog.”

All Come to Dust is Rheam’s second book,  written in the style of a Christie detective storyThe novel is set in modern day Zimbabwe, but it also looks back to the time just before independence.

How do authors create their characters - with John Eppel, Violette Kee-Tui, Siphiwe Gloria Ndlovu and Bryony Rheam

 Four Bulawayo novelists John Eppel, Violette Kee-Tui, Siphiwe Gloria Ndlovu and Bryony Rheam in discussion about how they create characters in their novels with Dr Drew Shaw. 

Recorded at The Orange Elephant in Bulawayo, with the support of The Centre for English Excellence and The Orange Elephant.

The links to the three sections of the discussion are below:

Section One

Section Two

Section Three

Hans M. Zell's Series of Profiles of Women in African Publishing

from: https://brittlepaper.com/2022/05/check-out-this-database-on-women-publishing-book-trade-in-africa/

Women in African Publishing & the Book Trade: A Series of Profiles is a listing of women working in the publishing industry across the African continent.

The list is curated by the Swiss publisher Hans M. Zell and aims “to showcase…the variety, richness and energy of women involved in book publishing and the book trade in Africa today, as well as some of the women who have made significant contributions to the African book sector in the past.”

In the first edition of the list published inThe African Book Publishing Record, 24 women were profiled. Ghana’s Deborah Ahenkorah, to Nigeria’s Bibi Bakare-Yusuf, to Rwanda’s Louise Umutoni, and South Africa’s Colleen Higgs are some of the profiles featured.

The new edition is an additional 28 names from across 8 countries. It includes established names like Kenya’s Muthoni Garland, founder of Storymoja, the Nigerian editor Enajite Efemuaye, Managing Editor of Farafina Books and co-founder of Society of Book and Magazine Editors of Nigeria (SBMEN), Uganda’s Hilda Twongyeirwe, Executive Director of FEMRITE, and Trish Mbanga, former Director, Zimbabwe International Book Fair.

The kind of information included in the listings are wide-ranging, from basics about the women and their work including positions held, company/organization’s name, contact address, website, publication etc. to social media handles and links to interviews and press coverage.

The list is a great networking tool, making it easier to connect with African women in the publishing industry. It is also a storytelling project of sorts, in the ways it shines a light on the increasing influence of African women in publishing, showing the changes taking place in an industry that has not always championed gender equality.

The scope of the second edition has been extended to include academics involved in publishing education and training, and who have written extensively, and eloquently, about many aspects of publishing and book history in Africa.

The directory does not, however, currently include women who are literary agents, or editors and publishers of journals or literary magazines.

Click on the link below to access the directory:

https://brittlepaper.com/wp-content/uploads/2022/05/Women-in-African-Publishing-the-Book-Trade-A-Series-of-Profiles-by-Hans-M.-Zell.pdf