Negotiating the terrain
of The Maestro, The Magistrate & The
Mathematician
http://www.examiner.com/review/negotiating-the-terrain-of-the-maestro-the-magistrate-the-mathematician
Rating:*****
Author: Tendai Huchu
Title: The Maestro, The
Magistrate & The Mathematician, 2014
Genre: Novel
Comfort level: Free flowing reading
Fascinating note: Tendai Huchu’s first novel, The
Hairdresser of Harare, was released in 2010 to critical acclaim, and his
book was translated into German, French, Italian and Spanish. His short fiction
(in multiple genres) and nonfiction have appeared in The Manchester Review,
Ellery Queen’s Mystery Magazine, Gutter, Interzone, AfroSF, Wasafiri,
Warscapes, The Africa Report and elsewhere. In 2013, he received a Hawthornden
Fellowship and a Sacatar Fellowship. He was, also, shortlisted for the 2014
Caine Prize. His new novel is The Maestro, The
Magistrate & The Mathematician.
Synopsis: Characters are masterfully
interfaced (intertextually and politically) with each other in this new work by
Tendai Huchu. Readers, prepare to review your English, ‘literary elements’
lessons from secondary school and college. Huchu is a skilled, literary scholar
and he incorporates the tools of the trade into The Maestro, The Magistrate
& The Mathematician (2014). He infuses international archetypes (Robert De
Niro, Cervantes, Robert Mugabe, Dostoyevsky, and Miles Davis) into the fabric
of the text and events. Imagery, in this work, awaken your senses (the smell of
the sadza pot, expresso, and Mexican food), motifs jolt you into the reality of
the text (the landscape of Edinburgh, London, and Zimbabwe), enigmatic
characters race into your psyche from across the pages (Alfonso, Farai,
Stacey). But most of all, the author, Tendai Huchu, creates a plot and a
storyline for each of his main characters the maestro, the magistrate, and the
mathematician,
and one sees that their lives are interwoven. And we learn that our lives are intertwined with the characters. Is life orchestrated, ruled, and defined as musical pieces, legislation, and equations?
Teenage pregnancy, failed career aspirations, espionage, loneliness, and
all manner of human frailty emerge from the pages of this book. And readers
will find that this book focuses on contemporary issues which face not only
Africa, Africans…but the world at large. Failed economics, failed interpersonal
relations, deception, distrust, and nationality are issues which Africans and
all people face. The ending will astonish and educate you. Mystery lovers, this
is a book for you. Contemporary literature lovers, this is a book for you. This
is a book that historians will love too. Sociologists will find candor and relevancy
in the conflicts. Political strategists will be impelled to chart the symmetry
of the work within the overt structure of the politics within the novel. This
book appeals to us all.
Critique: I could not let this book rest.
The characters compel you to come into their lair. You want to breath the same
air, touch the same ground, and feel the same emotions. The lead characters
of The Maestro, The Magistrate & The
Mathematician are made ‘accessible’ through the craftsmanship of
Tendai Huchu. I read the author’s first novel, The Hairdresser of
Harare (2010), and found it to be a good book. However, Tendai Huchu’s
latest book leaps beyond the scope of his first work. The author advances his
skills and his spectrum. It is a joy to see an author take leaps forward. Too
often, with success, writers retreat to comfort zones that publishers
construct. Huchu does not succumb to this weakness. This new work takes liberty
and chances in being fearless about events in Zimbabwe, Britain, and the world.
The author teases us and with mentioning places, people, and things that we
find comforting. Yet, the end of this book brings us no comfort. A good writer
does not seek to appease or console his audience. He/she conveys a narrative of
truth. Tendai Huchu succeeds where so many writers fail. I recommend this book
for everyone to read.
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