Friday, October 18, 2013

Authors, Publishers, Techprenuers Converge In Byo

From the Financial Gazette 17 October 2013

by Admire Kudita

“There have been dramatic changes in the publishing industry over the last few years due to new technology and it is important that writers are aware of the different ways in which they can publish their work in order to make an informed decision. publishersThere are many factors to consider and what may suit one writer may not be the best approach for another,” said Jane Morris of amaBooks Publishers, an independent publishing house, at a recently held workshop at Selbourne Hotel in Bulawayo.
The meeting which saw about fifty established and aspiring writers converge at the local hotel, was held under the auspices of the major arts festival and funded by the British Council. This would be the third time that the workshops have been run in as many years. The workshop weighed the pros and cons of traditional and self-publishing. Traditional publishing has its advantages of allowing the author to concentrate on their core competency: writing, and has no financial risk accruing to the writer.These benefits are juxtaposed against those of self-publishing in that authors have creative autonomy,control, less bureaucracy and a larger percentage of the profit.
The last few years have witnessed a number of developments that are altering the publishing landscape. These are eBooks which are read on e-readers and devices such as Kindle and other cutting edge communication devices, on demand printing, short run printing, Amazon shorts (short books) and importantly, crowd-funding. Interestingly, there are also innovations that enable eBook authors to receive feedback from readers. 
At the workshop it was my honour to meet a very smart Zimbogeek called Tafadzwa Makura from Harare. Okay, here is why he deserves mention on this platform: the tech wiz is the conceptualiser of Mazwi. Mazwi is a ‘revolutionary platform’ built around a simple application. It is an all in one mobile book market place that lets local writers and publishers share and sell stories in digital form directly to mobile devices. 
The groundbreaking innovation was conceived to help mitigate the increasing costs of printing, distribution and marketing for writers and publishers in emerging markets. 
“We are making premium local stories from local writers and publishers available to over a billion mobile internet users across the world on most mobile devices for a fraction of the cost. We are calling it a revolution because it is,” states the Mazwi innovators.
The system works like this: authors and publishers approach Mazwi and sign agreements that allow them to submit final drafts for uploading on to the Mazwi server. Book lovers can download the Mazwi app for free   to their phones, tablets and computers. They can then pay for the book via Ecocash, PayPal and Visa after which it is downloadable to the  communication device. The seller takes 30 percent and the rest goes to the author or copyright holder. Potential uses for the app is in e-learning, literacy programmes and digital libraries among others. Currently, the content partners of the company are Weaver Publishers (the local publishers of NoViolet Bulawayo), amaBooks and Innov8. The institutional and technological partners of the company are British Council, Alliance Francaise, biNu, iWayAfrica, TechZim and Worldreader.
Significantly, the diffusion of innovations i.e. the internet, smart phones and tablets has impacted negatively on the market for printed books. Rather than ignore the reality, authors and publishers are  being given an opportunity to adapt and profit from platforms such as Mazwi.
How extensively and speedily the innovation diffuses into the targeted emerging world markets will have a lot to do with the activation and sustenance of the reading culture of peoples in those same markets.
To my mind, the Mazwi application, being downloadable free of charge to mobile communication devices just like the popular Whatsapp application, is a sterling example of the creativity of Zimbabweans in meeting contemporary challenges.
Interested authors, publishers and book lovers can access the platform on

Saturday, October 12, 2013

This September Sun reviewed in The English Academy Review

This September Sun

Dr Thabisani Ndlovu, of the International Human Rights Exchange at the University of the Witwatersrand, reviews Bryony Rheam's novel This September Sun in the
English Academy Review: Southern African Journal of English Studies, Volume 30, Issue 2, 2013.

Saturday, October 5, 2013

A Memory This Size: The Caine Prize for African Writing 2013 reviewed in the Financial Gazette

Kaleidoscope Of Adventures, Experiences From Africa

Diana Rodrigues 3 Oct 2013
Fame may be the spur for many of Zimbabwe’s aspiring and established writers, but the Caine Prize for African Writing offers winning authors not only book readings, book signings and press releases, but prize money worth GBP10 000. The first prize giving ceremony for this prestigious award took place in Harare in 2000, at the Zimbabwe International Book Fair, when the winner was Leila Aboulela, who grew up in Khartoum. In 2004 Bulawayo-born Brian Chikwava won the coveted prize for his short story Seventh Street Alchemy, and in 2011 NoViolet Bulawayo was declared winner for Hitting Budapest.
Established in 2000, the same year as The Caine Prize, amaBooks, an independent Bulawayo publisher, opened its doors to budding and published writers, with the intention of promoting creative writing not only in Bulawayo but throughout Zimbabwe and the region. Their latest offering is an anthology of stories shortlisted for the Caine Prize 2013, entitled A Memory this Size and Other Stories, a volume that includes this year’s winning contribution, Miracle, by Tope Folarin of Nigeria. Tales from the remaining short-listed writers make up the anthology and represent a kaleidoscope of experiences and adventures from Sierrra Leone, Uganda, Kenya, Malawi, Botswana and Zimbabwe.
Born in Utah and living in Washington DC, Folarin may not appear to be typically African — he describes himself as ‘a writer situated in the Nigerian diaspora’, and feels both American and African. If the judges and chair of the prize committee, Gus Casely-Hayford, felt any qualms about awarding the prize to Folarin, the light touch, narrative skill and humour in the story of a young man singled out by a Nigerian holy man for healing in an evangelical church in Texas, convinced them that he was a worthy winner.
Nigerian Rotimi Babatunde who lives in Ibadan, and won last year’s Caine Prize for Bombay’s Republic, the tale of a veteran who ‘went to Hitler’s War as a man and came back a spotted leopard’, was shortlisted this year for Howl, the tale of a puppy called Jack ‘that had a baby’s eyes’ and improbably grew up to be a paediatrician.
Yet another Nigerian writer, Elnathan John, made the Caine Prize short list, so it would appear that Nigeria sets great store by literature, values its writers and provides fertile ground for creative writing. Trained as a lawyer, Elnathan lives in Abuja. When he’s not writing short stories he dispenses free legal and social aid through his project, Legal Aid. His shortlisted story, Bayan Layi, is about a gang of street kids who fight, take drugs and ‘boast about the people they have killed’.
Short-listed author Chinelo Okparanta was born in Port Harcourt, the chief oil refining city in Nigeria and is familiar with the petroleum industry. In the short story America, her protagonist, who is a science teacher, laments the damage the oil industry has wrought on the ecosystem. Fishermen in Gio Creek fail to catch any fish, but come out of the water ‘harvesting Shell oil on their bodies’. Okparanta has a deft and easy way with words as she describes the science teacher’s enduring love affair with another woman and her parents’ disappointment that they will be without grand children, her ambition to study environmental engineering in America, and vivid insights into the customs, food and people of Nigeria.
Zimbabwean Melissa Myambo is once again short-listed for the Caine Prize, this time for Blood Guilt, a complex psychological story of a liberation war matriarch known as Gogo, whose authority and family are threatened when a damaging video of her interrogation of her ex-comrade Beatrix ‘goes viral’.
Also on the short list again this year is Malawian Stanley Kenani who is an accountant for The Lilongwe Water Board. An avid reader of fiction, whenever he is not ensuring the smooth running of the utility company he works for, he is writing poetry, working on a novel entitled The Auditor, or dreaming about the plot of the next short story to win the Caine Prize. This year’s entry, Clapping Hands for a Smiling Crocodile, describes the perils involved when a government official forces a fishing village on the shores of Lake Malawi to allow an oil drilling company access to the ‘shimmering waters’ of the lake.
amaBooks and other Zimbabwean publishers are seeing the fruits of their efforts, as the country’s literacy rate improves and an increasing number of local writers are encouraged to hone their writing skills and give free rein to their creativity.
Reproduced from the Financial Gazette

A Memory This Size: The Caine Prize for African Writing 2013 is available in Zimbabwe from:
in Harare - National Gallery of Zimbabwe, Grassroots Xarra at the Book Cafe and Avondale Bookshop
in Bulawayo - National Gallery of Zimbabwe, Induna Arts, Tendele Crafts, BooksEtc, Indaba Book Cafe, Z&N Bookshop