Let me begin by saying the anthology offers thought-provoking insights into the human condition, societal issues, and the complexities of everyday life. Today I shall focus on "Potholes" and "The Piano Tuner". These two stories shed light on various themes like government neglect and the politicisation of public services, racial tensions and biases and the struggles of ordinary people in extraordinary circumstances.
Rheam's writing style, which hints at deeper meanings and leaves room for interpretation, adds depth to the narratives.
"Potholes" is about how Gibson Sibanda starts fixing potholes in a road in Hillside suburbs and ends up moving to other roads. It is a simple story. Perhaps symbolic of how Zimbabwean roads have become. Anywhere, you know something is very wrong in a country when an individual who doesn't even own a car starts mending roads. The potholes are so many and the roads look neglected. Both local and national governments have abandoned their responsibility of mending roads. What is funny is the superficial mending of this one road because the Vice President of the country has bought a house in the suburbs. And they have to pretend to mend it. More hilarious is the fact they mend the road for an intended visit to the new house by the Vice President. A visit that never happens. A subtle dig by the author at our politicians and how simple decisions like mending a road have become political.
Then there is "The Piano Tuner". This one is set in Zambia but it might as well be a Zimbabwean story. A black piano tuner, Leonard Mwale, who apprenticed under a white piano tuner, takes over the business and continues to use the white man's name as the business name. (Doesn't this sound familiar?) On this particular day he is hired by an Indian client. The piano tuner is good. Very professional. He knows his work. Unfortunately, the Indian client discovers during lunch that he has engaged a black man and things change and racism rears its ugly head. It becomes clear that the Indian client would not have engaged the service of the piano tuner if he had known he was black. The invitation to lunch was extended to Thomas Jenkins the name, not the piano tuner. There are racial overtones in the story. So much that when the Indian leaves the payment for the service the money is short. He can't bring himself to pay a black man properly for proper service. The writer does not overwrite, she makes hints and leaves it to the reader to fill in the gaps.
With her current body of work I think Bryony Rheam now deserves to sit on the high table with other Zimbabwean literary giants. When we mention the likes of TsÃtsi Dangarembgwa, NoViolet Bulawayo, Sue Nyathi, Siphiwe Gloria Ndlovu, we should not forget to include Bryony Rheam on that list. She has truly earned her spot.
Whatever Happened to Rick Astley? is published in Zimbabwe by amaBooks and in the United Kingdom by Parthian Books.
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